Billie milam weisman biography examples
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Collector Billie Milam Weisman on living with modern masters
Billie Milam Weisman could be seen as the keeper of the flame. She is director of the Frederick R Weisman Art Foundation in Los Angeles, set up by her late husband, which houses a remarkable and extensive collection of 20th-century art. More than works, from Josef Albers and Larry Bell to Ed Ruscha and Niki de Saint Phalle, jostle for space on the walls — even on the ceilings — of the s villa in Holmby Hills which he bought in
But at the same time Milam Weisman is not content with just looking after the collection, which is free to visit by appointment. She curates travelling exhibitions loaned from the collection and buys contemporary art, often by young Californian artists. “Fred taught me to trust my instincts,” she says over Zoom from LA. “He and his first wife, Marcia [sister of the great collector Norton Simon], collected wonderful postwar art, they both had incredible eyes. But looking back, over 80 per cent of the present collection was purchased during the 10 years we were together, until his death in I had some influence, and generally we chose the same thing. But I didn’t have the courage to collect at that point.”
Hanging behind Milam Weisman in her office at the foundation is a bold painting in bro
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A museum that’ll stay in move-in condition
FRED WEISMAN couldn’t help it. He just had to buy all that art and stuff it into his house and gardens.
During a decade of residence at his Mediterranean-style estate in Holmby Hills, he put Modern classics in the living room, Surrealist paintings in the dining room and an eclectic array of high-spirited contemporary art everywhere else.
A giant cat by Fernando Botero stands by the swimming pool. Pop paintings by Roy Lichtenstein grace the lanai. A sculpture of a sexy nude woman by John d’Andrea perches on a bedroom sofa. Startlingly realistic life-size figures by Duane Hanson -- a woman with a vacuum cleaner, a dozing old man and likenesses of Weisman’s parents -- pop up in various settings. Even the mailbox is a work of art, a sculpture of a hand and forearm by Frank Fleming.
When Weisman ran out of space, he covered windows, mounted paintings on ceilings and built a spacious modern annex to display more art. At his death in , he had amassed a 1,piece collection and installed about of those objects in and around his home.
The point of collecting art, Weisman thought, was to enjoy it, live with it and share it -- forever. His will decreed that the art-filled property be kept intact and maintained as a museum.
“He wanted this to
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Living with Vanishing at representation Weisman Estate
Photos from Weisman Foundation entanglement site.
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