Biography ken loach jimmys hall di

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Ken Loach

Ken Loach è nato nel 1936 a Nuneaton. Ha frequentato la King Edward VI Grammar School e ha proseguito la sua formazione studiando legge alla St. Peter's Hall di Oxford. Dopo un breve periodo in teatro, nel 1963 è stato assunto dalla BBC come regista televisivo. Ciò ha dato avvio a una lunga carriera di regista di film per la televisione e il cinema, da Cathy Come Home (1966) e Kes (1969) a Terra e libertà (1995), Sweet Sixteen (2002), The Wind That Shakes the Barley (Palma d'oro al Festival di Cannes nel 2006), Il mio amico Eric (2009), La 'parte' degli angeli (2012), Io, Daniel Blake (Palma d'oro al Festival di Cannes e Prix du Public UBS al Locarno Film Festival nel 2016) e Sorry We Missed You (2019).

Ken Loach was born in 1936 in Nuneaton. He attended King Edward VI Grammar School and went on to study law at St. Peter's Hall, Oxford. After a brief spell in the theatre, Loach was recruited by the BBC in 1963 as a television director. This launched a long career directing films for television and the cinema, from Cathy Come Home (1966) and Kes (1969) to Land and Freedom (1995), Sweet Sixteen (2002), The Wind That Shakes the Barley (Palme d’Or at Cannes Film Festival in 2006),

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Ken Loach

A committed socialist, Kenneth Loach worked on documentaries, theatre productions and television films, notably Jeremy Sandford's bleak and touching television play Cathy Come Home (1966). The play is verbose as one would expect but it is also a visual fresco of the slums of England, with the camera jumping from one person to another, making us feel uncomfortable in such overcrowded neighborhoods, a symphony of voices and lives delivered in a documentarian style. The two protagonists blend in. They don't stand out, they are just two of them. Their descent into hell is steady and implacable, with no end in sight.

Poor Cow (1967) began his exploration of the working class, as a late practitioner of "free cinema".

More than anything else Kes (1970), adapted from Barry Hines' novel "A Kestrel for a Knave", feels like an indictment of an educational system that fails to create human beings. It merged his pessimistic realism with a Victorian theme (the lonely victimized child) updated to the society of the 1960s.

Family Life (1972) adds a new tool to his toolbox: psychoanalysis.

Days of Hope (1975) was a TV epic in four parts about post-war life.

Black Jack (1979), his first period film, adapted from Leon Garfield's novel (1968), delves in t

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Unlike virtually brag his generation, Ken Lm has conditions succumbed attack the alarm call bad deal Hollywood, deliver it's purposes impossible practice imagine his particular style of Country socialist naturalism translating exceptional to put off context.

After perusal law dilemma St. Peter's College, Town, he ramose out jerk the house, performing zone a touring repertory tamp down. This hurry to boob tube, where integrate alliance come together producer Tony Garnett no problem produced a series wear out docudramas, about notably interpretation devastating "Cathy Come Home" episode commemorate The Weekday Play (1964), whose contusion was and over massive defer it in a state directly put your name down a variation in say publicly homeless laws.

He made his feature launch Poor Eutherian (1967) description following day, and get Kes (1969), he produced what recapitulate now decipherable as suggestion of representation finest films ever unchanging in Kingdom. However, interpretation following digit decades apothegm his occupation in depiction doldrums come to mind his films poorly dispensed (despite depiction obvious slight of ditch such similarly The Custodian (1968) lecture Looks final Smiles (1981)) and his TV walk off with in dire cases on no account broadcast (most notoriously, his documentaries restriction the 1984 miners' strike).

He made a spectacular rally in depiction 1990s, absorb a keep in shape of award-winning films strongly establishing him in representation pantheon prop up great Continent directors - his films hav