Donatello biography essay
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Donatello (ca. 1386–1466)
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Donatello
Italian Renaissance sculptor
This article is about the artist. For other references, see Donatello (disambiguation).
Donato di Niccolò di Betto Bardi (c. 1386 – 13 December 1466), known mononymously as Donatello (;[2]Italian:[donaˈtɛllo]), was an Italian sculptor of the Renaissance period.[a] Born in Florence, he studied classical sculpture and used his knowledge to develop an Early Renaissance style of sculpture. He spent time in other cities, where he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy the techniques he had developed in the course of a long and productive career. His David was the first freestanding nude male sculpture since antiquity; like much of his work it was commissioned by the Medici family.
He worked with stone, bronze, wood, clay, stucco, and wax, and used glass in inventive ways. He had several assistants, with four perhaps being a typical number.[citation needed] Although his best-known works are mostly statues executed in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was architectural reliefs for pulpits, altars and tombs, as well as Madonna and Child
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Summary of Donatello
Donatello would become known as the most important sculptor to resuscitate classical sculpture from its tomb in antiquity, through an invigorated style that departed from the Gothic period's flat iconography. He broke ground by introducing new aesthetics in line with the time's flourishing move toward Renaissance Humanism - a movement that emphasized a departure from medieval scholasticism and favored deep immersion into the humanities, resulting in art that no longer focused solely on the secular realm of religion but explored man's place in the natural world. Donatello's signature lifelike and highly emotional works would place him as one of the most influential artists in 15th century Italy, and an early forefather to the Italian Renaissance.
Accomplishments
- Donatello's work was highly influenced by the revival of interest in the sciences, mathematics, and architecture that was taking place in Florence. This included the use of one point perspective to create a new kind of bas-relief for architectural works and a precise anatomical correctness for his figures.
- The figure was a central point of mastery for the artist, and he was in fact the first to reintroduce the nude sculpture. With the addition of realistic proportion, emotionality, and expr