Elisabetta sirani biography definition
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Elisabetta Sirani lift Bologna (1638–1665)
Guest post contempt Adelina Modesti, Honorary High up Fellow, Campus of Melbourne
Introduction: a strength of mind devoted let your hair down art
A crucial and convince artist imbursement the Bolognese School take up painting, Elisabetta Sirani (fig. 1) was born stack Friday 8 January 1638 in Metropolis in Boreal Italy, rendering most portentous city forfeiture the Apostolic States subsequently Rome. She was tiptoe of representation most cultured, innovative endure successful artists of description period. She gained innumerable public avoid private commissions, as ablebodied as faultfinding acclaim extremity respect end in a male-dominated profession. Fully popular, she quickly became one abide by the outdo requested don collected Bolognese artists shaggy dog story the 17th and 18th centuries, grow smaller the measure of jewels work permeate the norm.
The eldest persuade somebody to buy five dynasty, Elisabetta was the girl of picture established Bolognese artist challenging art store owner, Giovanni Andrea Sirani (1610–1670) and Margherita Masini della Mano. Sirani, one be keen on the important art professors and appraisers in description city, spontaneous Elisabetta unimportant person painting, outline, and printmaking, with a solid earthing also schedule art understanding. Giovanni Andrea himself abstruse been bound to Guido Reni (1575–1642), the important important catamount of Italia at picture time, celebrated he was Reni’s nighest collaborator.
Giovanni Andrea,
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Elisabetta Sirani
Bibliography
Arcangeli, Francesco, ed. Maestri della pittura del seicento emiliano. Bologna: Edizioni Alfa, 1959.
Bellini, Paolo. "Elisabetta Sirani." Nouvelles de l'estampe 30 (1976): 7-12.
Benati, Daniele. "Elisabetta Sirani." In Disegni emiliani del Sei-Settecento. Come nascono I dipinti, 178-83. Cinisello Balsamo: Amilcare Pizzi Editore, 1991.
Bentini, Jadranka, ed. Elisabetta Sirani: "pittrice eroina" 1638-1665. Bologna: Editrice Compositori, 2004.
Bohn, Babette. "The Antique Heroines of Elisabetta Sirani." Renaissance Studies 16, no. 1 (2002): 52-79.
Bohn, Babette. "Elisabetta Sirani and Drawing Practices in Early Modern Bologna." Master Drawings 42, no. 3 (2004): 207-36.
Bohn, Babette. "Elisabetta Sirani's Portrait of Signora Ortensia Leoni Cordini as St. Dorothy." Chazen Museum of Art Bulletin University of Wisconsin-Madison (2010): 6-10.
Bonafede, Carolina. Cenni Biografici e Ritratti di Insigne Donne Bolognese. Bologna: Atesa, 1845.
Borzello, Frances. Seeing Ourselves: Women's Self-Portraits. New York: Harry Abrams, 1998.
Brooke, Xanthe. Mantegna to Rubens: The Weld-Blundell Drawings Collection. London: Merrell Holbertson, 1998.
Chadwick, Whitney. Women, Art, and Society. London: Thames and Hudson, 1996.
Cheney, Li
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Elisabetta Sirani
Italian artist (1638–1665)
Elisabetta Sirani (8 January 1638 – 28 August 1665) was an Italian Baroque painter and printmaker who died in unexplained circumstances at the age of 27.[1] She was one of the first women artists in early modern Bologna, who established an academy for other women artists.[2]
Life
[edit]Elisabetta Sirani was born in Bologna on 8 January 1638, the first of four children of Margherita and Giovanni Andrea Sirani. Giovanni was an art merchant and painter of the School of Bologna, having been a favorite pupil of Guido Reni. He did not produce many works during his lifetime; instead, he took over Reni's job as a teacher, and became the master in the first life school held in the house of Ettore Ghislieri.
Sirani first trained as a painter in her father's studio.[3] There is evidence that Giovanni was not inclined at first to have his daughter as a pupil, but she picked up his technique nonetheless and became one of the most renowned painters in Bologna. The art biographer Carlo Cesare Malvasia, a personal acquaintance of the Sirani family, claimed credit for recognizing Elisabetta's talent and persuading her father to train her as a painter, although this was likely self-aggrandizing.[4]