Michael nicoll yahgulanaas biography of martin

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  • Haida artist Michael Nicoll Yahgulanaas mixes it up at MOA with three site-specific installations inspired by the Museum's current Renewal.
  • It's been a busy year for Michael Nicoll Yahgulanaas, UVic's second Audain Professor in Contemporary Art Practice of the Pacific Northwest.

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    Michael Nicoll Yahgulanaas: Meddling in the Museum

    Michael Nicoll Yahgulanaas Meddling in the Museum UBC Museum of Anthropology July 10 – December 31, 2007 Installations and their locations Entrance to MOA (outdoors) Coppers from the Hood—Two Sisters Dodge Dynasty and Chevrolet Geo Metro car hoods, copper leaf, paint 204 cm x 130 cm Coppers from the Hood—Stolen But Recovered Plymouth and Pontiac car hoods, copper leaf, paint 185 cm x 140 cm Great Hall (at crossroads) Bone Box Wooden storage trays, metal shelving, acrylic paint 12 trays, each 61 cm square Bill Reid Rotunda Pedal to the Meddle Pontiac Firefly, autobody paint, argillite dust, copper leaf (Exhibited with 7.5 meter cedar canoe by Bill Reid, assisted by Guujaaw, Simon Dick, and others, 1985. MOA Nb1.737) Artist profile Michael Nicoll Yahgulanaas was born into the Yahgu Laanas Raven clan in 1954, and raised in Delkatla, Haida Gwaii. His decades of experience in negotiating the spaces between Indigenous and colonial institutions informs works he has shown in Japan, Korea, England, and, most recently, as part of the Vancouver Art Gallery's exhibition, Raven Travelling. Among his published works are several Haida manga books, including A Tale of Two Shamans (2001), The Last Voyage of the Black Ship (2001), and A Lo

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