Rufino tamayo + biography
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Rufino Tamayo abridge best publicize for portrayal modern Mexican subjects sample a assortment of worldwide avant-garde styles and stop trading sensibilities.
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Rufino Tamayo
Mexican painter, printmaker, and sculptor (–)
In this Spanish name, the first or paternal surname is Arellanes and the second or maternal family name is Tamayo.
Rufino del Carmen Arellanes Tamayo (August 25, – June 24, ) was a Mexican painter of Zapotec heritage, born in Oaxaca de Juárez, Mexico.[1][2] Tamayo was active in the midth century in Mexico and New York, painting figurativeabstraction[3][4] with surrealist influences.[1]
Early life
[edit]Tamayo was born in Oaxaca, Mexico in to Manuel Arellanes and Florentina Tamayo.[5] His mother was a seamstress and his father was a shoemaker. His mother died of tuberculosis in [6] His Zapotec heritage is often cited as an early influence.[3]
After his mother's death, he moved to Mexico City to live with his aunt, where he spent a lot of time working alongside her in the city's fruit markets.[7]
While there, he devoted himself to helping his family with their small business. However, in Tamayo's aunt enrolled him at Escuela Nacional de Artes Plásticas at San Carlos to study art.[3] As a student, he experimented with and was influenced by Cubism, Impressionism and Fauvism, among other popular ar
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Summary of Rufino Tamayo
The painter and printmaker Rufino Tamayo - or the "International Mexican" as he liked to be known - was a contemporary of the so-called "big three" Mexican Muralists, Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros. Unlike his esteemed countrymen, however, Tamayo veered away from pro-revolution political statements preferring to promote ideas of personal freedom and liberty; art that could, in his words, relate, not just to Mexicans, but to "everybody, everywhere". His unique style blended elements of the European avant-garde, including Impressionism, Cubism and Fauvism, with Mexico's proud Pre-Columbian heritage. Tamayo can take credit for helping place Mexican modernism firmly on the international map, while his domestic influence has been especially profound, with many next generation Mexican artists finding confidence in expressing their individual voices through Tamayo's example.
Accomplishments
- At a time when his contemporaries were using art to advance revolutionary political dogma, Tamayo was engaged with more neutral themes, many touching on feelings of tranquility and pleasure. Tamayo offered a credible alternative to the "big three" muralists (Rivera, Orozco, and Siqueiros) by refuting the rule that modern Mexican art m