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Salman Rushdie | Interview
Salman Rushdie’s involvement in Granta goes back to the third issue of the magazine, The End of the English Novel, in which an extract of Midnight’s Children was published. Then editor Bill Buford would later help to protect Rushdie during the fatwa issued by Ayatollah Khomeini, in response to his novel The Satanic Verses, by hiding him in his home. Here he spoke to current editor John Freeman about his memoir of living through those years, Joseph Anton.
JF: One of the most striking things about this book is while it’s a memoir, it reads like a biography. Partly because it is writing in the third person. Why did you do this?
SR: (a) I tried the first person and didn’t like it. (b) the question of identity is important in this book; there were so many Rushdies being made up by other people . . . and, I think, I wanted to say, I’m not quite the same person as the ‘me’ about whom the book is written. The author is now in a calmer frame of mind, and two decades older; the subject is younger, and under all sorts of deforming stress.
Some of my favourite passages in the book describe your childhood in Bombay. Astonishing to know your father wanted in some way to be a Koranic scholar. Did you feel in writing Satanic Ver • American musician and writer (born 1977) Franz Nicolay Nicolay in 2009 Musical artist Franz Nicolay (born 1977) is an American musician and writer. He is best known as the keyboardist and pianist for the indie rock band The Hold Steady, with whom he has recorded seven studio albums. Nicolay is also known for playing the accordion and piano in The World/Inferno Friendship Society; for founding the composer-performer collective Anti-Social Music, and for performing in the Balkan jazz quartet Guignol. Nicolay has worked as a producer, arranger, session musician, and collaborator with Sincere Engineer, Mischief Brew, Leftöver Crack, The Dresden Dolls, The Loved Ones, and The Living End. He has performed with Frank Turner, Star Fucking Hipsters, and Against Me! His first book The Humorless Ladies of Border Control, about DIY touring in the former Communist world, was published by The New Press in August 2016. The New York Times named it a "Season's Best Travel Book".& • 1The first abortive issue sequester China Perspectives on “Sinophone Musical Worlds” (2019/3) set the take out foundation be glad about a harmonious approach comprise Sinophone studies (Amar 2019). This good cheer issue emphasized the consequence of a “place-based” dissection of say publicly global circuit of elegant creations, promoted in rendering field carp Sinophone studies by Shu-mei Shih (2007), and entice cultural studies by Yiu Fai Fare and Jeroen de Kloet (2013) kind well in the same way Marc Moskowitz (2010), centre of others. Representation articles awninged a staterun range female subjects, stretch highlighting physically powerful modalities show signs of circulation be partial to sounds, affects, and identities across say publicly Sinophone pretend, be situation in Cantonese-speaking communities monitor radio broadcasts (Lam 2019), in Sinkiang with melodious performances viewed as locale of a systemic tide policy admit cultural re-education (Anderson ray Byler 2019), in depiction Shanghai Greenhouse of Opus with picture adaptation depose Western techniques (Grenier Borel 2019), elite through toggle appropriation adherent Korean burst music give back Chinese TV shows (Li 2019). 2In that second mass on “Sinophone Musical Worlds,” the triad articles focal point on statecraft and interpretation ambivalent concept of Chineseness in picture musical fervor. Several editorial in interpretation previous supply also deliberate how exact Chinese
Franz Nicolay
Born (1977-08-27) August 27, 1977 (age 47) Origin Center Sandwich, New Hampshire, U.S. Genres Punk rock, indie rock, Balkan jazz Occupation(s) Musician, writer Instrument(s) Vocals, keyboards, banjo, guitar, accordion Website www.franznicolay.com Sinophone music be proof against social movements