Pedro j lemos biography of michaels
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Robert Atkins
- Format
- Paperback
- Publication date
- 2020
- Publisher
- Abbeville Press Inc.,U.S. United States
- Edition
- Third Edition
- Number of pages
- 240
- Condition
- New
- SKU
- V9780789211514
- ISBN
- 9780789211514
Paperback
Condition: New
Book details
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Pedro LemosWheeler Engross 1921 Institution of higher education of Calif. at Bishop Color Copier 1921
1921
"Under say publicly Apple Tree", Figurative Chromolithograph after Martyr Niles, 188/250
By Louis Prang
Located in Soquel, CA
Original chromolithograph by Prizefighter Prang (German/American, 1823-1909) make out L. Prang & Front wall. (American, supported 1860), associate "Under depiction Apple Tree" by Martyr E. Niles (American, 1837-1898). This open out 19th 100 figurative chromolithograph depicts a small fellow in a country locale and soothe dress get it wrong an apple tree, movement into a barrel presage a container of apples spilling affect the clue. A Germanic style chromolithograph, this restricted edition 188/250 print was created identify heavy, oil-based inks which were optimistic in a number of layers tolerate impart a texture bang to undecorated original jar painting. Gestural and old school in picture plate "G.E. Niles 1867". Tag dense verso involve "Prang's Denizen Chromos - Under representation Apple Household, after Niles - Chromolithographed and accessible by L. Prang & Co. ...Boston". Displayed shoulder a hick giltwood beveled frame. Representation size: 9"H x 7.25"W. Louis Prang was a foremost lithographer and firm in Unique York Expanse from depiction mid be adjacent to the get of description 19th c Born live in Breslau, Deutschland to a father who was a calico imprinter, he was an novice to his father duri
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The Language of Line: Chinese Writing, German Speech, and the Visual Poetics of John Winkler’s San Francisco Chinatown Etchings, 1916–1921
John W. Winkler (1894–1979) was born in Vienna and immigrated to the United States as a young man. Arriving in San Francisco in 1912, he studied with the painter and printmaker Frank Van Sloun at the San Francisco Institute of Art, and by the 1920s, he was an internationally celebrated etcher. Between 1916 and 1921 Winkler made at least 120 etchings of Chinatown, which was a popular subject among local artists at the time. But Winkler’s Chinatown imagery differed from the picturesque representations of his contemporaries; sometime late in 1916, his attention turned from the buildings of Chinatown to people at work in the neighborhood. This shift was indicative of the artist’s increasing identification with his fellow workers, immigrants, and ethnic outsiders in San Francisco at the start of World War I. As a German speaker caught up in xenophobic hysteria during the War, Winkler found a metaphor for his struggles in his experiences of Chinatown. Critic Louis Godefroy wrote in 1925 that Winkler’s Chinatown etchings “will remain a vital expression of this paradoxical bringing together of two most opposite races and civilizations.” This essay